Art, Poetry, Film, & How I Got Here

I was born in Mainland, China, and spent a good portion of my teen years in Mexico which was a completely different environment than my homeland. I was immediately enamored by the culture of Mexico –– not only is it a non-immigration country whose official language isn’t English, but I found the community I lived in endlessly interesting.

My first year in a Mexican school was difficult to adjust to. If that wasn’t enough, after one year in secretarial technical-training middle school, I was enrolled in a bilingual high school –– the leap was incredible. I had to grasp two new languages at once (English and Spanish) while translating between the two. Some days were unimaginably tough, but my teachers and classmates were very helpful. Finally, toward the end of the school year, I felt like I could follow the flow of the class. The community encouragement I experienced in my years in Mexico was what allowed me to not only survive, but also to adapt outside my native environment.

My Career & Artistic Inspiration

I currently reside in Newport Beach, California. Over the past 20 years, I’ve been a manager, writer, poet, published author, literary translator, and auteur filmmaker. In addition, I have been an effective problem solver and team builder in several of today’s male-dominated industries. My two main passions are poetry and film. Ever since I was little, I was awestruck by Alfred Hitchcock movies, particularly Birds, and Orson Welles’s Touch of Evil. In terms of poetic aspiration, I was immersed from childhood in classical Chinese poetry written by Li Shang-Yin of Tang Dynasty.

 

In creating poetry and film, I believe in pulling artistic aesthetics from all senses: visual, acoustics, tastes, oeuvre, touch, and feeling. The humanistic elements of art fascinate me. I find magic in the notion that, as human beings, we can encourage others to uncover their deep artistic emotions as well.

As a poet, I published one chapbook and four book-length poetry collections. As a small production crew of just five people including myself, we adapted my published poems into four short poetry films, three of which have won numerous festival awards and accolades. I feel extremely fortunate to have been able to create both the surrealistic poetry and art-house films while also working as an entrepreneur who helped found a therapeutic indoor light company.

The Experience of a Painting

As a multifaceted artist, I believe that painting offers one of the utmost modes of expressing visual art. Through endless brushstrokes, it evokes a better sense of color than sculpture, a more imminent sense of dimension than drawing, and more possibilities than architecture. Like poetry, a painting provides infinite ways to connect with its audience.

A painting that has had a strong impact on me is one of Joan Miro’s of a bird. The complementary color palette and spirited, humanistic bird are in perfect harmony. When I first saw the painting, I felt as if the bird was singing and dancing for me which gave me such joy. I love many of Miro’s works, but this is one of my all-time favorites because of its perfection and strong sense of presence.

The Realism Debate

Although realistic art is, as its name suggests, based on real life, it can be interpreted in many different ways. For many creators, their art may represent a true image of themselves or their self-expression, but not necessarily to their audience. Therefore, I believe that creating an art piece using realism does not guarantee its interpretation. I think both Ad Reinhardt and Andy Warhol had their reasons to conform to their own trajectories when creating art. If each person has a unique DNA, then every artist should have their own artistic thumbprint as well.

My Artistic Legacy

As an artist, I would like my legacy to be a contribution to a culture in which art creators do not need to have day jobs to support themselves. Instead, they’d have enough time and means to make the art they crave. Art creation is a lengthy process that thrives when undisrupted, and a day job tends to inhibit this creativity. What matters most to me in life is art. It’s the only thing that can transcend from this world to the next. It never dies or leaves humanity, unlike all other physical entities. It is the only tangible thing that speaks to generation after generation.

I consider myself an altruist. I’m always striving to help with causes that I strongly believe in. I am fortunate enough to be able to dedicate my love and half of my life to the world of art. My ultimate goal is to see many others join me on this journey, to be creative, cultivating, and happy.

Grasping Meta-Cinema through Experimental Poetry Films

By Ann Yu Huang

Embracing my unconscious narrative

In the past, the notion of coupling meta-cinema with my dreams felt like an unfeasible mission. In recent years, I wrote, directed, and produced four experimental short poetry films. My films are based on surrealist poems I authored which were influenced by the narrative of my dreams. It wasn’t until the poetry films were completed that I developed credence about the connection between meta-cinema and my dreams. I recently began embracing the idea of meta-cinema through the lens of my poetry films.

What is meta-cinema?

What exactly is meta-cinema and how does it correlate with my experimental shorts? Essentially, the use of meta-cinema in filmmaking is similar to utilizing metafiction in literature writing. It is a filmmaking style in which a movie or television series purposefully informs viewers that they are watching a production.

In the sixties, the French New Wave movement used meta-cinema to reveal behind-the-scenes footage from the production stage. The idea was to showcase a film in its original state of being made. Meta-cinema accomplishes this through a narrator or character’s commentary during the movie, typically facing the camera and speaking directly into the lens. In modern film production, meta-cinema is commonly referred to as “breaking the fourth wall.”

How my unconsciousness led me to create meta-cinema films

Through my dreams, my unconsciousness held a prominent role in inspiring the meta-cinema filmmaking style of my experimental poetry shorts. When I wake up from a dream, the pieces I can recall are fractured. This makes me I think of myself as both a character in my dream narrative as well as the audience. I then have to turn to myself (the viewer) and tell the story of my dream.

Envision dreaming of a film that stars your twin. What would it be like to observe them in the movie from the audience’s viewpoint? Instances of conscious revelation similar to this can be so intoxicating that they must be deeply analyzed through artistic underpinning.

How meta-cinema disrupts the illusion of watching a film

Similar to deciphering surrealist storylines from your dreams, a director can disrupt a film’s mirage by telling the viewers that it is fiction. In many cases, film producers use meta-cinema to create non-diegetic aspects with the intent of teaching the viewers a lesson or letting them in on a narrative secret. The audience then must internalize and reflect on the auteur filmmaker’s vision. Perhaps most importantly, meta-cinema allows an audience to become the spectator of their own spectatorship.

Woody Allen is considered a trailblazer for meta-cinema. His movies have broken the fourth wall and spoken directly to audiences for decades. However, the meta-cinema concept remains mysterious to most people. Viewers have a tendency to dilute the cultural influence of meta-cinema similar to how they don’t prioritize interpreting their nightly dreams. People avoid exploring concepts that perplex them because they don’t want to overthink ideas that aren’t easily understood.

Meta-cinema and poetry film

I believe being a poet allows me to effortlessly create short art films. Each of my short poetry films is based on my surrealist lyrical poems, so my casual unconsciousness is already a contributing factor. The assembly of my memory is a mystical instrument I rely upon heavily as a narrative filmmaker. I try to recognize my conscious self as well as the layers of my deep, collective self. I wish to transport magic into the meta-cinematic lens so that our conscious and unconscious states can be illuminated from all angles of narrative storytelling.

Indelible Winter

Official Selection | Austin Spotlight Film Festival | January 24, 2018

Palpitations of Dust

 Official Selection | Logcinema Art Films | Jan 13-14, 2018

Semi-Finalist | German United Film Festival | January 1, 2018

Honorary Mention (Experimental) | Los Angeles Film Awards | December 2017

Pre-Selection | Singapore International Film Festival | December 2017

Official Selection (Experimental) | Near Nazareth Festival | December 13-17, 2017

Pre-Selection | Rome Film Awards | October 18, 2017

Winner (Experimental) | Laughlin International Film Festival | October 12-15, 2017

Official Selection | San Pedro Film Festival | October 8, 2017

Semi-Finalist | Madrid Art Film Festival | September 29-30, 2017

Semi-Finalist | Cinema London | September 22, 2017

Official Selection | Festival Angelica | September 18-24, 2017

Best Experimental Project Nomination | Action on Film Festival | August 24-26, 2017

Best Sound Design (Short) Nomination, Best Supporting Actor (Short) Nomination | Hollywood Dreamz International Film Festival | August 24-26, 2017

Semi-Finalist | Malta Film Festival | August 24-25, 2017

Best Experimental Short Film | Prince of Prestige Academy Award | July 29, 2017

Best Director (Short Film) Nomination, Best Actor Nomination, Best Director Nomination | World Music & Independent Film Festival | July 22-30, 2017

Official Selection (Narrative) | Synimatica Short Film Festival | July 15-30, 2017

Official Selection | California Women’s Film Festival | July 14-16, 2017

Talented New Filmmaker Nomination | Nice International Film Festival | May 18, 2017

Official Selection (Autumn Session) | Auckland International Film Festival | Autumn 2017

Nomination | Taste Awards | February 20, 2017

Official Selection | Hollywood Reel Independent Film Festival | February 17, 2017

Best Experimental Film | Los Angeles Cinema Festival of Hollywood | January 11, 2017

Official Selection (Short Film) | 5th Mumbai Shorts International Film Festival | December 21, 2016

Best Experimental Film | Los Angeles Film & Script Festival | November 5, 2016

Winner of Award of Recognition (Experimental) | IndieFEST | October 11, 2016

About Ann Huang

Ann Huang is a filmmaker based in Newport Beach, Southern California. Huang was born in Mainland China and raised in Mexico and the US. World literature and theatrical performances became dominating forces during her linguistic training at various educational institutions. Huang possesses a unique global perspective on the past, present and future of Latin America, the United States and China. She is an MFA candidate from the Vermont College of Fine Arts and has authored one chapbook and two poetry collections. Huang’s debut experimental short film “PALPITATIONS OF DUST” won the Best Experimental Film in 2017 PAECA (Prince of Prestige Academy Award), Best Award in Los Angeles Film & Script Festival, and Best Experimental Film in LA Cinema Festival of Hollywood. For more information, visit http://annhuang.com.

Independent Filmmaker Ann Huang to Attend 2017 American Film Market

Ann Huang Filmmaker

Contact
Ann Huang
Independent Filmmaker
Phone: (949) 280-5290
huang.yuwei.ann@gmail.com
FOR IMMEDIATE RELEASE

Filmmaker Ann Huang to Attend 2017 American Film Market

Ann Huang from Saffron Splash Media, writer and director of experimental short films Palpitations of Dust and Indelible Winter, will be attending the 2017 American Film Market. This year’s conference will be held from November 1st through November 8th in Santa Monica, California. 

American Film Market is Hollywood’s largest international conference and cultivates tremendous insight and knowledge among fellow independent filmmakers, global thought leaders, and other industry professionals. The conference hosts producers, writers, directors, production houses, and film enthusiasts from 80 countries for a week of networking, workshops, roundtables, and speakers.  

To view trailers for Palpitations of Dust and Indelible Winter, click the movie posters below.

Ann Huang’s film Palpitations of Dust won Best Experimental Work at the 6th annual Laughlin International Film Festival (LIFF) which took place on October 12-15th in Laughlin, Nevada. The festival provides a platform for international filmmakers to showcase their work and screens over 100 independent films each year including short, feature length, documentaries, youth films, and music videos. More information about LIFF can be found here.

 

Additionally, Palpitations of Dust received Honorable Mention at the Global Shorts’ 2017 international short film competition in September. The Los Angeles-based awards competition recognizes short films with a runtime of 50 minutes or less featuring original storytelling. More information about Global Shorts can be viewed here.

About Ann Huang

Ann Huang is a filmmaker based in Newport Beach, Southern California. Huang was born in Mainland China and raised in Mexico and the US. World literature and theatrical performances became dominating forces during her linguistic training at various educational institutions. Huang possesses a unique global perspective on the past, present and future of Latin America, the United States and China. She is an MFA candidate from the Vermont College of Fine Arts and has authored one chapbook and two poetry collections. Huang’s debut experimental short film “PALPITATIONS OF DUST” won the Best Experimental Film in 2017 PAECA (Prince of Prestige Academy Award), Best Award in Los Angeles Film & Script Festival, and Best Experimental Film in LA Cinema Festival of Hollywood. For more information, visit http://annhuang.com.

“Palpitations of Dust” is Selected for Festival Angaelica, Preselected for Rome Film Awards & Madrid Art Film Festival, & on the Short List for Cinema London Film Festival

Ann Huang Filmmaker

Contact
Ann Huang
Independent Filmmaker
Phone: (949) 280-5290
huang.yuwei.ann@gmail.com
FOR IMMEDIATE RELEASE

Palpitations of Dust is Selected for Festival Angaelica, Preselected for Rome Film Awards & Madrid Art Film Festival, & on the Short List for Cinema London Film Festival

September 2017: Ann Huang’s film Palpitations of Dust has been officially selected for this year’s Festival Angaelica, which will take place at Big Bear Lake in California from September 18th through September 24th.

Angaelica is a non-profit organization with roots in ecology and art that believes in the power of storytelling. The festival helps artists and collaborators connect through film and other projects. More information about the festival can be viewed here.

Festival-Angaelica-2017-Official-Selection-White-Background copy

 

Palpitations of Dust has also been preselected for the 2017 Rome Film Awards (RFA) which will take place from October 28th through 29th in Rome, Italy at Detour Cinema.

The festival highlights the best films of Italy, Europe, and the rest of the world. More information about the RFA can be found here.

rome film awards preselected 2017

 

Additionally, Palpitations of Dust is in the short list for the 2nd annual Cinema London Film Festival which will be held on September 22nd in London. The festival aims to increase diversity in European countries and promote the art of cinema all around the world. Cinema London screens self-financed films by a diverse group of filmmakers from several different countries. More information about the festival can be found here.

Semifinalist

 

Lastly, Ann Huang’s film has been preselected for the 2nd annual Madrid Art Film Festival which will take place on September 29th and September 30th, 2017 in Madrid, Spain.

The festival offers multiple award categories including best screenplay, best cinematography, best director, and best narrative short and celebrates art and film from around the world. More information about the the Madrid Art Film Festival can be viewed here.

Semi-finalist

About Ann Huang

Ann Huang is a filmmaker based in Newport Beach, Southern California. Huang was born in Mainland China and raised in Mexico and the US. World literature and theatrical performances became dominating forces during her linguistic training at various educational institutions. Huang possesses a unique global perspective on the past, present and future of Latin America, the United States and China. She is an MFA candidate from the Vermont College of Fine Arts and has authored one chapbook and two poetry collections. Huang’s debut experimental short film “PALPITATIONS OF DUST” won the Best Experimental Film in 2017 PAECA (Prince of Prestige Academy Award), Best Award in Los Angeles Film & Script Festival, and Best Experimental Film in LA Cinema Festival of Hollywood. For more information, visit http://annhuang.com.

“Palpitations of Dust” Wins Best Experimental Film for Prince of Prestige Academy Award, & is Selected for Screening at Hollywood Dreamz International Film Festival, Action on Film Festival, & Near Nazareth Festival

Ann Huang Filmmaker

Contact
Ann Huang
Independent Filmmaker
Phone: (949) 280-5290
huang.yuwei.ann@gmail.com
FOR IMMEDIATE RELEASE

Palpitations of Dust Wins Best Experimental Short Film for Prince of Prestige Academy Award, & is Selected for Screening at Hollywood Dreamz International Film Festival, Action on Film Festival, & Near Nazareth Festival

August 2017: Ann Huang’s film Palpitations of Dust won Best Experimental Film for the Prince of Prestige Academy Award for 2017! 

Huang says that her debut film is solely based on her pure lyrical poems. That her biggest challenge of adapting her poetry from page to big screen was to render a narrative arc from non-lineal surrealistic poems. “Chance, happenstance, and energy of synchronicity are the centerpiece of this project, interweaving and juxtaposing frail humane emotions such as love, longing, and belonging.”

Films submitted to the Prince of Prestige Academy Award were nominated through a selection committee. The top scorers were reviewed by the festival jury and winners were announced on Saturday, July 29, 2017. More information about the Prince of Prestige Academy Award as well as other film categories and nominees can be viewed on the PAECA website as well as on IMDB

photo copy 4

Palpitations of Dust has also been officially accepted to be screened at the the Hollywood Dreamz International Film Festival (HDIFF) and Action on Film Festival (AOFFEST). Both events will run concurrently and will host black tie award celebrations from August 24th through August 26th, 2017 at the Palms Resort and Casino in Las Vegas, Nevada.

HDIFF is an international film festival that brings together talented experts and newcomers from film, entertainment, and writing. More information about the festival can be found here. The Action on Film Festival is an annual event that features films from all genres including features, shorts, experimental, animation, music videos, and action sequences. Learn more about AOFFEST here.

Action on Film 2017 Acceptance Laurels

Palpitations of Dust is also a semi-finalist for the 2nd annual Malta Film Festival this year. The festival will take place on August 24th and 25th, 2017 at Eden Cinemas, located in St Julian’s, Malta. The Malta Film festival features a selection of diverse films from Europe, South America, as well as the rest of the world. More information can be found here.

Malta Semifinalist

Additionally, Palpitations of Dust has been selected for the Near Nazareth Festival in the Experimental Category for Winter 2017. The film showcases five surrealist poems and will be screened at the festival which will take place in Afula, Israel from December 13th through December 17th, 2017.

The Near Nazareth Festival has been ranked as one of the 100 Best Reviewed Festivals on FilmFreeway and features work by filmmakers from 70 different countries. The Experimental category for the Near Nazareth Festival can be viewed here.

2017_Participant (1)

About Ann Huang

Ann Huang was born and raised in Mainland China and her passion for words dates back to her childhood. World literature and theatrical performances became dominating forces during her linguistic training at various educational institutions. As a first generation Chinese American, Huang possesses a unique global perspective on the past, present and future of Latin America, the United States and China. She is an MFA candidate from the Vermont College of Fine Arts and has authored two poetry collections. For more information, visit http://annhuang.com.

“Palpitations of Dust” is Selected for Synimatica’s Short Film Festival & California Women’s Film Festival, Nominated for World Music & Independent Film Festival

Ann Huang Filmmaker

Contact
Ann Huang
Independent Filmmaker
Phone: (949) 280-5290
huang.yuwei.ann@gmail.com
FOR IMMEDIATE RELEASE

Palpitations of Dust is Selected for Synimatica’s Short Film Festival & California Women’s Film Festival, Nominated for World Music & Independent Film Festival

July 2017:  Ann Huang’s film Palpitations of Dust has been officially selected for the first annual Synimatica Short Film Festival in the Narrative category. The screening will take place during the week of July 15th through July 30th, 2017 via Synimatica’s online viewing platform which streams digitally on on Roku, Apple TV, Chromecast, and Amazon Fire.

Screening and panel judging for the festival is done online and the best-in-category films will be honored at an awards mixer in Boise, Idaho. Synimatica will feature short films by Ann Huang and other emerging filmmakers. Palpitations of Dust will be available through Synimatica’s online viewing platform. In addition to narrative short films, the festival will also feature documentary and animated films.

More information about Synimatica’s Short Film Festival can be viewed here.

Palpitations of Dust has also been officially selected for the California Women’s Film Festival (CWFF). The film showcases five surrealist poems and will be screened at the festival which will take place in Los Angeles, California at the Acme Theater from July 14th – July 16th, 2017.

The CWFF is a bi-annual event that showcases the work of women filmmakers, artists, and writers. More information about the festival can be viewed here.

Additionally, Palpitations of Dust has been nominated by the World Music & Independent Film Festival (WMIFF) in 3 categories. Eric Stoner and Tatiana Rozo have been nominated for Best Actor, Dean Nathan is nominated for Best Cinematography, and Ann Huang received a nomination for Best Director in a Short Film.

This year’s Annual Awards Gala for WMIFF will be held from July 22nd through July 30th, 2017 on an 8-night Caribbean cruise. The gala will screen Palpitations of Dust as well as other films that have been nominated.

The festival was created in 2010 as a platform to celebrate the achievements of all cinema artists and has been an IMDB-qualifying event each year. Additional information about the World Music & Independent Film Festival can be found here.

About Ann Huang

Ann Huang was born and raised in Mainland China and her passion for words dates back to her childhood. World literature and theatrical performances became dominating forces during her linguistic training at various educational institutions. As a first generation Chinese American, Huang possesses a unique global perspective on the past, present and future of Latin America, the United States and China. She is an MFA candidate from the Vermont College of Fine Arts and has authored two poetry collections. For more information, visit http://annhuang.com.

2017 Nice Independent Filmmaker & Auckland International Film Festivals Nominate & Screen “Palpitations of Dust”

Ann Huang FilmmakerContact
Ann Huang
Independent Filmmaker
Phone: (949) 280-5290
huang.yuwei.ann@gmail.com
FOR IMMEDIATE RELEASE

 

 2017 Nice Independent Filmmaker & Auckland International Film Festivals Nominate & Screen “Palpitations of Dust”

June 2017: The 2017 Nice International Filmmaker Festival nominated Ann Huang for their Talented New Filmmaker Award. In addition, her film “Palpitations of Dust” was nominated for Best Cinematography in a Short Film. The film was screened on May 18, 2017 in Nice, France.

View the screening schedule: http://filmfestinternational.com/may-18th-room-1-nice-iff-2017/

Since 2006 the festival has given Indie Filmmakers a platform to showcase their work. From humble beginnings in Tenerife, they now host events in some of Europe’s most renowned cities, including Nice, London, Amsterdam, Madrid, Berlin, and Milan.

The festival is a week-long showcasing of films that concludes with an awards ceremony gala dinner, where winners from each of category receive a prestigious trophy in recognizing their talents and achievements.

The renowned festivals also include workshops, guest speakers, film premieres, director Q&As, networking events, and much more. The events support filmmakers around the world by establishing and connecting a profoundly rich community of like-minded individuals.

Learn more about the festival in Nice as well as upcoming festivals in other cities by visiting http://filmfestinternational.com/

The Auckland International Filmmaker Festival jury selected Ann Huang’s film, “Palpitations of Dust,” for their autumn session awards.

The acclaimed Auckland Film Festival provides support to independent film-makers through reviewing, judging, marketing, and networking. In addition, the festival aids filmmakers in overcoming any obstacles which potentially hinder the artist’s ability to create.

Official_Selection_Autumn_2017_Color

Visit http://www.aiff.co.nz/ to learn more.

About Ann Huang

Ann Huang was born and raised in Mainland China and her passion for words dates back to her childhood. World literature and theatrical performances became dominating forces during her linguistic training at various educational institutions. As a first generation Chinese American, Huang possesses a unique global perspective on the past, present and future of Latin America, the United States and China. She is an MFA candidate from the Vermont College of Fine Arts and has authored two poetry collections. For more information, visit http://annhuang.com.

Meshes of the Afternoon by Maya Deren

Poetry & Film Fuse in the Works of Maya Deren

Meshes of the Afternoon by Maya Deren

One of the most influential filmmakers in American cinema and a pioneer in dance films, Maya Deren (1917-1961) believed the function of film was to offer a viewer an experience that would evoke new conclusions. As with her poetry, Deren’s focus continually evolved and remained dynamic as she combined her interests in subjective psychology, dance and Haitian culture in her short films. Deren’s best-known and most influential experimental film, Meshes of the Afternoon (1943), beautifully combines poetic elements with cinematic devices. In 2015, the BBC hailed it as one of the top 100 greatest American films. Deren’s popular cinematic works also include At Land, Ritual in Transfigured Time, Meditation in Violence, and A Study in Choreography for Camera.

Maya Deren best expressed her view of the freedoms of independent cinema when she said, “Artistic freedom means that the amateur filmmaker is never forced to sacrifice visual drama and beauty to a stream of words…to the relentless activity and explanations of a plot…nor is the amateur production expected to return profit on a huge investment by holding the attention of a massive and motley audience for 90 minutes…Instead of trying to invent a plot that moves, use the movement of wind, or water, children, people, elevators, balls, etc. as a poem might celebrate these. And use your freedom to experiment with visual ideas; your mistakes will not get you fired.”

‘Meshes of the Afternoon’ and its Influence

Using a second-hand Bolex camera, Deren and husband Alexander Hammid created Meshes of the Afternoon. It was the first narrative work in avant-garde American film, establishing the New American Cinema. The editing and filming techniques used in the short have a deep sense of rhythm and create a sense of continued motion through discontinued space, conveying a deeper meaning of discomfort and distrust. The abandoning of the concepts of space and time in the film, the juxtaposition of shots, and multiple views of “self” convey a stream of consciousness that breaks viewer expectations.

Compelling themes throughout Deren’s work include reflection, dreaming, vision, ritual, identity and rhythm. Meshes of the Afternoon directly inspired David Lynch, John Coney, Su Friedrich, Stan Brakhage, Kenneth Anger and other major traditional and experimental filmmakers.

Deren on the Freedoms of Independent Cinema

When discussing the liberties of independent cinema, Deren was opposed to Hollywood’s practices and standards. She felt that artistic freedom meant never sacrificing visual beauty and drama to spoken lines and explanations of plot. Deren took advantage of movements that happened naturally—the wind blowing, balls bouncing, water running—rather than invent plots. She stated that when an artist uses his or her freedom to experiment with visual ideas, mistakes are forgiven.

At the 1953 Poetry and Film Symposium, Deren stated that poetry “is an approach to experience.” She explained that a poem’s structure makes it distinct. Its construct is the result of a situation’s vertical investigation, as it looks into a moment’s implications, qualities and depth. Deren stated that the result is poetry that doesn’t focus on what’s happening, but on how a situation feels or means.

Filmmaker and Poet, Ann Huang, has long been inspired by the Deren’s works. Cinematic and poetic visions influenced her first film, Palpitations of Dust. Reviews received from a film festival’s screening committee further support that Huang’s work reflects the freedom ideas promoted by Maya Deren:

“Interesting juxtaposition of the actors and artwork with the poems.”

“Loved the dichotomy of the Renaissance art with the visuals of the film.”

Surrealists suggest that art is a part of life. Therefore, it is vital that filmmaking be viewed as pure and keen as automatic writing or poetry writing. Poetry, filmmaking and other forms of art make the invisible, undocumented moments in an individual’s life tangible. For example, these moments are eloquent yet mysterious, wise yet innocent, and charismatic yet elusive. The portion of existence that survives without an audience must be preserved for an artist to remain whole.

Award Nominated “Palpitations of Dust” Announces Additional Screening

Contact
Ann Huang
Filmmaker

Phone: (949) 280-5290
huang.yuwei.ann@gmail.com
FOR IMMEDIATE RELEASE

 

The 8th Annual Taste Awards : Praise Continues for “Palpitations of Dust”

Ann Huang

February 21, 2017: This star-studded event acknowledged outstanding excellence in video, film, mobile and interactive content focused on food, drink, fashion, design, travel, health and lifestyle. Nominated film “Palpitations of Dust” was described as one of the most innovative and exciting festival discoveries. Click to learn more about the film from the Hollywood Reel Independent Film Festival and view more event photos.

Award Nominated “Palpitations of Dust” Announces Additional Screening

 

February 2017: A new screening of Ann Huang’s film “Palpitations of Dust” has been scheduled at the Hollywood Reel Independent Film festival on Monday, February 20, 2017 in Regal Cinema LA LIVE. The film, written and adapted by Ann Huang, explores the lives of three friends, which become complicated when facing choices of love, friendship, need and reciprocity. Learn more about the festival and purchase tickets at http://hollywoodreelindependentfilmfestival.com/.

Ann Huang’s film has also been nominated for a Taste Award. The Taste Awards are original awards for the Lifestyle Entertainment Industry and the highest awards for creators, producers, hosts, and directors. The Award recognizes and acknowledges outstanding excellence in video, film, and more.

The Taste Awards Reception/Ceremony takes place on Tuesday, February 21, 2017 in Beverly Hills where the winner will be announced.

VIP red carpet reception includes presentation ceremony and announcement, gift bags and more. Tickets are available for purchase online at http://www.thetasteawards.com/events/.

 

About Ann Huang

Ann Huang was born and raised in Mainland China and her passion for words dates back to her childhood. World literature and theatrical performances became dominating forces during her linguistic training at various educational institutions. As a first generation Chinese American, Huang possesses a unique global perspective on the past, present and future of Latin America, the United States and China. She is an MFA candidate from the Vermont College of Fine Arts and has authored two poetry collections. For more information, visit https://www.annhuang.com/blog/.